Three friends join hands to fight a local goon to save a lodge from being sold off, but will they succeed in their mission? more»

Lion Jagapathi Rao is a 1991 Indian Kannada film, directed by Om Sai Prakash and Produced by B. Vijaykumar, H. Ramamurthy, N. Venkatesh, M. Rajagopal, S. A. Satyam, K. Varadara. The film stars Vishnuvardhan, Lakshmi, Bhavya, Sadashiva Saliyan and Mukyamanthri Chandru in lead roles. The music of the film was composed by Upendra Kumar. more»

Tayaramma Bangarayya is a 1979 Indian Telugu film, directed by Kommineni Seshagiri Rao and produced by Edida Nageshwara Rao. The film stars Sowcar Janaki and Kaikala Satyanarayana in lead roles. Music of the film was composed by K. V. Mahadevan. more»

A nonchalant Yogi finds himself drawn to Sheela and wants to get to know her more. While she appears to be a perfect girl-next-door, he is shocked to find out the realities of her complicated life. In love with her, Yogi decides to help her get her life back in track but will he succeed? Watch what happens next. more»

Kambakkth Ishq explores the relationship between two individuals so different from each other that no matter how many times fate pushes them back together, there's only just fireworks but no heat! Viraj Shergill is a swashbuckling stuntman in Hollywood who lives by the mantra that women are only good at one thing - breaking hearts. more»

The plot of the movie unfurls the story of Aarti who is a fabulous dancer and is grieving over the death of her lover Chandan. But in the meanwhile, she meets Inder who falls in love with her, but later he also abandons her. Soon they both are connected to each other because of their past which leaves both in a shock. Watch the twist and turns of this love story. more»

Babla is a kid who lives in a village with his mother, who gets sent to his sister in law's house for better schooling. While his initial days were nothing but great enjoyment, things get tougher for him when constant complaints from everyone make him feel unwanted. Babla learns a valuable life lesson when he decides to run away back to his mother. more»

1990 Kaliyuga Vishwamitra is a 1990 Indian Telugu film, directed by Pradeep Shakti and Produced by U Suryanarayana Babu. The film stars Vijay Chandra, Ramya Krishna, Rajya Laxmi and Deepa in lead roles. The music of the film was composed by Ghantasala Vijayakumar. more»

Ram Gopal Verma is back with the third installment of the Sarkar franchise where politics is about to ascend new heights and revenge is on everyone s mind. Annu Karkare, who blames Subhash Nagre for her father s death is determined to see the fall of Sarkar, and supporting her is none other than Subhash s grandson, Cheeku, making the fight a personal battle. Will Sarkar let politics ruin his family yet again or will he finally set things right? more»

Aadapettanam is a 1958 Indian Telugu film, directed by Adurthi Subba Rao and produced by M. Narayana Swamy, M. Venkata Ramadasu. The film stars Akkineni Nageswara Rao, Anjali Devi in lead roles. The film had musical score by Saluri Rajeswara Rao, Master Venu. more»

Mudhal Iravukku Munnal is a 1986 Indian Tamil film, directed by Vijayan Karot and produced by M. Deveerappa. The film stars Gurushree Nagaraj, D. Nagaraj, Sekar and Shakeela in lead roles. Music of the film was composed by Kumar. more»

Rangoon Rowdy is a 1979 Telugu drama film directed by Dasari Narayana Rao and produced by Vadde Sobhanadri under Vijaya Madhavi Pictures. The film was presented by Vadde Kishore. The film stars Krishnam Raju, Jaya Prada, Mohan Babu and Deepa in the lead roles. The music was composed by J. V. Raghavulu. more»

Sant Gyaneshwar is a 1981 Indian Hindi film, directed by S.N. Tripathi and produced by S.V. Iyer. The film stars Usha Solanki, Bharat Bhushan and Rakesh Pandey in lead roles. Music of the film was composed by Nandu Honap. more»

Kamal Mehra (Sudesh Kumar) lives in the village with his mother Shanta Mehra (Lalita Pawar) and younger sister, Sharda (Rajshree). They are poor and his mother has to mortgage her house in the village in order to send Kamal to the city for further education. She expects him to pay off the mortgage once he gets a job. Kamal gets a job and returns to the village with a wife Mona (Shyama), who is considered too modern for the village. When Kamal returns to the city, he stops sending money to his family. The mother and daughter leave for the city when they are informed that Kamal is not well. They are treated badly by Mona, who with her spendthrift habits gets into arguments with Kamal. When Kamal leaves for a job outside the city, Mona has Shanta and Sharda thrown out of the house.\n\nWandering on the streets, Shanta and Sharda collide with Kumar's (Manoj Kumar) car, who takes them to his home. Kamal is an employee of Kumar, but the fact is unknown to mother and daughter. Kumar and Sharda start liking each other and he insists that they stay at his place till the mother recovers. When Kamal returns home, he is upset to see his mother and sister missing. He leaves some money he is carrying for his employer with Mona, and goes off to the village to look for them, but is unable to find them. Mona spends three-fourths of the money Kamal had left in her care, and he has to find a way to return the money. Finally, Kamal unites with his mother and sister; Mona has learned her lesson from her errant ways, and Kumar and Sharda get married.\n\nThere is a sub-plot in the form of Kamal and Mona's neighbours; one is Sunder (Mehmood) and his wife Geeta (Savitri), who is shown as the traditional wife in comparison to Mona. Another neighbour is Jackson (Johnny Walker), who has left his wife Ganga (Minu Mumtaz) in the village. Wandering on the streets, Shanta and Sharda collide with Kumar's (Manoj Kumar) car, who takes them to his home. Kamal is an employee of Kumar, but the fact is unknown to mother and daughter. Kumar and Sharda start liking each other and he insists that they stay at his place till the mother recovers. When Kamal returns home, he is upset to see his mother and sister missing. He leaves some money he is carrying for his employer with Mona, and goes off to the village to look for them, but is unable to find them. Mona spends three-fourths of the money Kamal had left in her care, and he has to find a way to return the money. Finally, Kamal unites with his mother and sister; Mona has learned her lesson from her errant ways, and Kumar and Sharda get married. There is a sub-plot in the form of Kamal and Mona's neighbours; one is Sunder (Mehmood) and his wife Geeta (Savitri), who is shown as the traditional wife in comparison to Mona. Another neighbour is Jackson (Johnny Walker), who has left his wife Ganga (Minu Mumtaz) in the village. more»

An over-ambitious Tamosa has no qualms when it comes to achieving greater heights in her career, which leads to a conflict between her and another woman. But is Tamosa prepared for its consequences? more»

Amarnath is a 1978 Indian Kannada film, directed by K. Mani Murugan and produced by N. K. Narayan, V. K. Ramesh and P. B. Walke. The film stars Ambarish, Sundar Krishna Urs, Dheerendra Gopal and K. S. Ashwath in lead roles. Music of the film was composed by Vijaya Bhaskar. more»

Deva Kanya is a 1968 Indian Telugu film, directed by K Hemambaradhara Rao and Produced by Bh Srirama Raju. The film stars Kantha Rao, Kanchana, Rajasree, Rajanala, Balakrishna and Hemalatha in lead roles. The music of the film was composed by TV Raju. more»

Kiladi Gandu is a 1991 Indian Kannada film, directed by B Ramamurthy and Produced by Gokul Raj, Go Ra Bheema Rao, B Sathyanarayana, Lalitha Gopalaswamy, B Nagarathna. The film stars Tiger Prabhakar, Ramesh Aravind, Sunil, Aravind, Vinaya Prasad and Thara in lead roles. The music of the film was composed by Manoranjan Prabhakar. more»

In the crowded bylanes of Old Delhi, Shuklaji runs a small photo studio as a facade for a small-time crime. Over the years he has groomed a bunch of youngsters in the art of pickpocketing and petty crime. Satbir, a gang member, wants to give up a life of vice and make a fresh beginning. He bumps into Neena on his first respectable job assignment and falls for her. Meanwhile, another crook Amol and his gang of slow-witted goons are on the lookout for smart men to enlist in their crew. He has his eye on Ronnie, one of Shukla's proteges, but Shukhla seems too big an obstacle to surmount. Ronnie however, has had it with the low budget stuff and can't wait to hit the big game. While, Ronnie finds admission in Amol's gang at the behest of kidnapping a diamond merchant, Purshottam Das, Satbir on the other hand takes to a clean life and pursues Neena. Curious about Satbir's connections, Neena asks him about his cronies and if she could watch them live in action. Though hesitant at first, Satbir gives in to her request just to win her over. Totally smitten by Neena, Satbir shows her real instances of pickpockets on their job, Neena although has a totally different agenda under her mellifluous innocence. What happens next are witty comical situations forming a complex jigsaw puzzle! more»

Six young couples in different situations, face different quandaries. All their problems are apparently caused by love, too much, too little, love for the wrong people, love for people who don't want it, unrequited love, amnesia-afflicted love and what have you. Each of the 6 stories is moderately developed, the most believable being the Hindu-Muslim couple - the Ashutosh-Tehzeeb story. Then there is the starlet hungry to make it big, hatching up a publicity stunt which backfires - the Kkamini-Rahul deal. The third pair is that of Stephanie-Raju pair, she searching for her faithless Indian boyfriend and the Indian taxi-driver who ferries her around the country. And then there is the Shiven-Gia yuppie marriage fiasco, with the groom with the cold-feet. The fifth story is of the stable married couple - Vinay-Seema, whose 15 year marriage is threatened when the husband wants more than just boring, suburban life. The sixth couple's story is of Isha-Sohail as a rural couple unable to give vent to their passion. The film runs through these six stories almost in parallel, taking us to their respective conclusions. more»